Mertianna Georgia » writing

Mirror Dimensions and String Theory

Mertianna Georgia — Mon, 24 Jun 2013 13:27:23 +0000

mirror dimensions

Today I’m guest blogging at Wicked Readings by Tawania

on what inspired me to write in this genre, and what were my inspirations for this story at

http://www.wickedreadingsbytawania.blogspot.com/

Take a look at my surprising musings on Mirror Dimensions and String Theory

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OUTLINES ARE THE ZOMBIES EATING MY BRAIN

Mertianna Georgia — Wed, 17 Apr 2013 14:56:00 +0000

As a writer, I’m constantly striving to improve my craft. There’s a ton of information and advice out there. But it seems everywhere I’ve looked lately has led to experts and/or seasoned writers talking about outlining stories. They lecture the need to lay the bones of the plot in the right sequence so elbows are attached to arms instead of legs and heads sit atop necks, not hipbones. I have no doubt that this is very desirable when building a person-shaped thing. But what if the thing is story-shaped?

I confess to being the type of writer that sits at the keyboard with only the barest wisp of an idea before plunging ahead. The voices in my head tell me what to do next. Wait. That didn’t sound right. My story characters’ voices in my head tell me what to do next. Better.

My attempts at outlines feel like Doctor Frankenstein’s creation but not as handsome or talented at tap-dancing. I’ve tried to create outlines. Really. Many times. In different mediums and multiple colors. I’ve built my skeletons, even grown some flesh on them. But what comes shambling out is not what I intended at all

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And they all want to eat my brain.

Okay, maybe it just feels like they want to chomp on my grey matter. The theory of outlining a story is a solid one; it makes perfect sense, and seems like an exceedingly logical way to proceed. The problem is that, like zombies, outlines are scary partially-formed things chasing after you with serious noshing on their minds or stomachs, whatever. The thought of writing to an outline is like that of a zombie eagerly sucking brains through a straw sticking out of a hole in my head – akin to a coconut husk cocktail on Tiki night at the Luau.

So why do something if it doesn’t work for me? I have a guilty little squirmy feeling that I haven’t really given outlining a chance. And I might be missing out on a really good thing. The zombie might not be unredeemable. Like the zombie guy in Warm Bodies, there might be a heartbeat under the disintegrating skin of its chest. So, I want to believe. I want to believe that the magical properties of outlining will be able to transform the zombie into a hot guy, uh, I mean, into a useful member of society (no, I really meant hot guy). I’m going to try it one more time. Maybe more than once. And if I have any brain matter left after that, I’ll call it a success and be enlightened to the joys of structure. Unfortunately, just typing that last sentence made something dribble out of my ear. Well, let’s see what happens.

Salute to Ray Bradbury

Mertianna Georgia — Sun, 10 Jun 2012 19:23:09 +0000

He was one of the authors that helped me to discover worlds of fantasy and a life-long desire to create worlds of my own through writing. I remember my mother would tell me to go outside and play. Because, as usual, my nose had been stuck in a book for hours. I’d nod and say “okay” and stay to read for another hour because I simply couldn’t put down the book. It was usually Bradbury or Asimov or Le Guin among so many others.

“You must write every single day of your life… You must lurk in libraries and climb the stacks like ladders to sniff books like perfumes and wear books like hats upon your crazy heads..

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. may you be in love every day for the next 20,000 days. And out of that love, remake a world.” — Ray Bradbury

I still shiver in delight when I see one of his books on a shelf, knowing the contents and relishing the emotions they will elicit. I open a book and remember the wide-eyed wonder of his worlds as well as the pull-the-covers-over-your-head reactions from strange things happening to strange people. He will be missed but not forgotten. Now I have to go off and write, wearing Dandelion Wine perfume and wearing Fahrenheit 451 on my head like a sunhat. I’ll go outside with my laptop as a nod to my mother and play…

Inspiration for Tom

Mertianna Georgia — Sun, 14 Aug 2011 20:04:50 +0000

: Inspiration for Tom

I really don’t want to put specific images in peoples minds — other than written descriptions — because readers’ imaginations will supply the necessary character image as they read

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However, I wanted to share the picture that inspired me to write Tom’s character in SYN IN THE CITY. As the young werewolf who becomes Cara’s familiar I wanted someone who was old enough have a romantic relationship, but who was also young and vulnerable. As I conceptualize a character I sometimes want a visual reminder to keep me focused on their individual personalities and looks.

The picture, along with a character profile becomes part of the novel guidebook I put together to help me keep track of who, what, where, and when of the various aspects of the story. This is especially important with a series to ensure continuity of facts to tie the books together.

I’m nearly done writing the next Synemancer novel, ANGEL OF SYN. I find having a guidebook is an essential memory aid. So Tom will continue to have copper-penny eyes, blond surfer-dude good looks, and that touch of vulnerability that makes the heroine want to wrap her arms around his warm body and just hold on to him.