Mertianna Georgia » Writing Tips

Can’t Talk. Editing.

Mertianna Georgia — Thu, 08 Sep 2011 17:38:16 +0000

Editing

There once was a lady from Nantucket…oops wrong limerick. That’s the problem with editing, it sends my mind wandering off task. Re-reading some of the steamy passages of my new novel made my mind wander to, uh, um, Nantucket. Must be a great place

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I’m going through ANGEL OF SYN to make sure I vary my sentence lengths. A member of one of my writing groups pointed out that I tend to write sentences in a certain way. I looked, and by golly, she was right. We writers have our own styles of writing, it goes along with our writer’s Voice. But when it’s too much of the same thing, that style can either get boringly monotonous or throw the reader out of the story because, yes, they too have noticed your odd writerly quirk of putting three commas in every sentence. Variety is the spice of life and of a story. Vary the length of sentences and make the length part of the story (for instance short sentences for action, longer sentences for slower passages). Okay, got to go now. Editing.

Inspiration for Tom

Mertianna Georgia — Sun, 14 Aug 2011 20:04:50 +0000

: Inspiration for Tom

I really don’t want to put specific images in peoples minds — other than written descriptions — because readers’ imaginations will supply the necessary character image as they read

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However, I wanted to share the picture that inspired me to write Tom’s character in SYN IN THE CITY. As the young werewolf who becomes Cara’s familiar I wanted someone who was old enough have a romantic relationship, but who was also young and vulnerable. As I conceptualize a character I sometimes want a visual reminder to keep me focused on their individual personalities and looks.

The picture, along with a character profile becomes part of the novel guidebook I put together to help me keep track of who, what, where, and when of the various aspects of the story. This is especially important with a series to ensure continuity of facts to tie the books together.

I’m nearly done writing the next Synemancer novel, ANGEL OF SYN. I find having a guidebook is an essential memory aid. So Tom will continue to have copper-penny eyes, blond surfer-dude good looks, and that touch of vulnerability that makes the heroine want to wrap her arms around his warm body and just hold on to him.

Writing Tip: The First Five Pages

Mertianna Georgia — Sun, 07 Aug 2011 23:20:53 +0000

The opening pages of your novel are extremely important, whether you want to attract the attention of a literary agent, editor, or reader. In order to craft your first pages to be as good as they can be, you need to be brave, honest, and true to yourself, not unlike a Girl or Boy Scout. Your merit badge will be the positive results of your hard work. Okay scouts, here are the suggestions:

1. Prologue

Is your prologue really, really necessary? (Remember the Honest pledge?) Or can you get rid of it? Although some authors, famous ones at that, can get away with having prologues, it’s generally seen as an outdated literary ploy to make up for a slow first chapter.

2. Action

Your opening pages must grab or hook the reader by focusing on an intense and important moment. It doesn’t have to be a save-the-cheerleader/save-the world kind of action, but it could. Or it could be a smaller moment such as your protagonist deciding if she should talk to that handsome stranger sitting on the park bench reading Proust, in French. What’s important is that you invest that moment with significance. The character might be on the brink of change, or making a decision that will affect the people in his/her life. Whatever you open with, show that it’s important to the plot to come.

3. Characters

Naturally, whatever character you opt to focus on should be intriguing. Show the reader right away why it’s worth spending time with the character. Is she brave, courageous, and selfless? Wonderful. Readers want to spend time with heroes and heroines they admire. Is he devious and sinister and complex? Super. We love villains who are multidimensional, villains who believe they’re doing right—or who can’t stop themselves from being evil or using clichéd shellfish metaphores (“…wah ha ha the world is my oyster!”). Interesting characters will pull the reader in. Use only one character as the hook, then add more later.

4. Setting

Spark interest by selecting an exotic, fascinating, unique, larger-than-life, setting for your opening pages. Render the setting in surprising and distinct detail to lure the reader into your world. Even if you have an opening scene in a familiar landscape—say, the park again—it’s how you render the scene that can make it amazing and fascinating

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5. Pace

The pace or momentum of your first scene will be the force that leads readers into the next page, and the next, and the next. You opening pages should NOT be answering questions about your characters’ quest or your characters’ past. The opening should be asking them. So don’t offer everything you’ve got in your first pages. Tempt the reader to read on to find the answers.